2013年5月8日星期三

everything in between is bog-standard and totaily wearable

McQueen incorporated a
film, directed by Baiiiie
Waish and art directed by
the designer, of modei Kate
Moss dressed ethereaiiy in
organza ruffies into the
show, which was projected
as a hologram (9).
10, Production stiii for the
Alexander McQueen
Autumn/Winter 06/07
show, which shows the set
and hologram in itsfuil
glory. Production for all
McQueen shows shown
here is by Gainsbury and
Whiting.
pilot and going through a simulation of itself."
Creativity at least was back in evidence in the recent
Alexander McQueen ready-to-wear Autumn/Winter 06-07 show in
Paris, McQueen, while a trailblazer for conceptual shows early in
his career, has been producing disappointingly sober shows of
late. Yet this show suggested something of a return to form as a
strong collection of clothes that draw on his Scottish roots was
joined mid-performance by a hoiogram of an ethereal Kate Moss
in organza ruffles, in a video shot by director Baillie Walsh and art
directed by the designer.
So if McQueen can do it why can't other major brands? For
renowned set designer Simon Costin, who has collaborated with
designers Including McQueen and Givenchy, many of the
restrictions are financial. "Dozens of designers would love to do
shows like this but nobody's spending the money," he says. "It's
a shame as it's that stuff that gets watered down and that makes
a change within design. You tend to find it at the beginning of a
designer's career and then at the very end, but everything in
between is bog-standard and totaily wearable,"
One solution to the money problem is for the industry to
diversify, adding to the traditional ways of showcasing work and
finding new creative ways of displaying designs and reaching new
audiences. Top-end designers are now regularly collaborating with
high street brands in order to spread their designs to a wider
audience at a more reasonable budget.   yanzic0508.

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