Watch “inside story of lady Yang “, enjoy the charm of ancient Chinese garments

http://www.mltailor.com/blog/?p=96602

wearing Les miserables on body

in thePlay jean valjean who is from prisoners to become mayor, Fantine who is the women to become prostitutes, who is stick to die of love, cosette and marius, sinister bizarre thenardiers etc, they all have quite rich life experiences, the changes in shape, also to help them reflect special story in those special times.

Seven star fashion full parsing les miserables to wear upper body

Bitterness female – fantine

Anne hathaway is definitely the biggest watch spot of the film. Shaving board, voice, from workers to prostitutes, the illegitimate daughter cosette’s love and gratitude for jean valjean, made this legendary women filled the time feeling. Before the hathaway “haircut” because of the identity of the woman, dressed in are simple but elegant, black and white and grey, blue, nude color, orange color is belong to fantine’s color.

Modelling essential product: plain sweater, khaki short boots, khaki color bags, printed backpacks, lady grey pleated skirts, straw hat, wear light perfume, silver and so on.

Perfect lover, cosette

As Anne hathaway’s “daughter”, Amanda acting as cosette is another legendary woman in the play, after grew up under the various hardships, finally adopted by jean valjean and care for, and the revolutionary youth handsome marius SSC love is a wonderful plot of the film, two people finally also shall be well, jack shall have Jill. After the cosette adopted, modelling is full of the “fairy fan” s classical elegance, flowers, princess, rich, elegant, fair maiden is synonymous with her.

Modelling essential product: bowknot, dot shirt skirt , round head retho shoes, colorful silk stockings, Mary Jane shoes, pearl accessories, perfume, chanel Coco miss pink sweet lip, and so on.

Three male leading role different style — businessmen, police officers, the revolutionary youth

From Prisoners to the rich to the mayor, the hero jean valjean (Hugh jackman) model is the man’s legendary life, constantly yearning vitality of jean valjean and justice holdouts javert (Russell crowe) from implacably opposed to friends, also has become the best witness of friendship between men. Jean valjean, “son-in-law” marius as a new era of revolutionary youth, ecstasy of love for cosette and enthusiasm for revolution let he became the most inspirational movie roles.

Modelling necessary product: the military uniform element coat, boots, khaki small suit jacket, white gloves, hale and hearty, pencil pants, loafers, and so on.

 ”Yellow dog” thenardier couple

a tavern owne of Town fe Mei r, typical middle class characters, greedy, selfish, dirty, personality is also very funny.

Modelling essential product: pleat cutting long skirt, coat of printing color, colorful pantyhose, baseball jacket, skeleton pattern design sweater, plover nine minutes pants, and so on.

http://www.mltailor.com/blog/?p=96593

If You Can’t Hide It, Flaunt It

 

Queen Latifah, left, in Carmen Marc Valvo at the ’06 Golden Globes with Scarlett Johansson

“© HFPA” and “63rd Golden Globe Awards®”

Designer fashion is made for the skinny. It’s sad, but true.

But that doesn’t stop bodacious broads like Queen Latifah from strutting down the red carpet looking gorgeous in a made-for-her Carmen Marc Valvo gown. She would never cover up her assets with a high-neck gown or wear a sack-like dress to disguise curves.

Likewise, usually tiny celebs who are pregnant at awards shows have learned to play up their newly ripe figures. The most memorable was a ready-to-deliver-any-day Catherine Zeta-Jonesin a low-cut black Versace, the most recent was a glowing Gwyneth Paltrow in a not-meant-to-be-slimming ethereal cream Balenciaga gown at the Golden Globes in ’06.

Learn to embrace your body, too. If you aren’t comfortable in curve-hugging dresses because of too much jiggle, then try a body slimmer underneath for more control.

Today’s dress: Satin Flower One Shoulder A Line Bridal Gowns Wedding Dress

This kind of A line Wedding Dresses Cheap online are made of high quality satin material, soft for touching and comfortable enough for wearing. The design is more dramatic in appearance than any other gown without ornaments. Show your infinite charm, you will be more beautiful with this A line wedding dress. Don’t miss it!The one shoulder style dress features the flower detail design which creates beauty.
Silhouette: A Line
Embellishment: Handmade Flower
Neckline: One Shoulder
Back: Zipper
Shown Color: Champagne
Material: Satin

http://www.mltailor.com/blog/?p=96487

Show Off Your Best Feature

 

Hilary Swank at the ’05 Oscars in a backless Guy Laroche

© A.M.P.A.S

Susan Sarandon shows off her cleavage, Hilary Swank displays a toned back, Angelina Joliemakes sure nothing overpowers her full lips.

Everyone has at least one great asset, even if it’s something as simple as thick hair, white teeth or nice legs.

You don’t have to do anything too extravagent to show off your best feature, just make sure that your look enhances it. If your best feature is great skin, the last thing you’d want to do is cover up every inch of it with clothing.

Dressing for your best feature is less about dressing for size or age and more about making the best of what you have to work with.

Today’s dress: Elegant Solid Ruffle Bow A-Line Strapless Back Lace Up Court Train Organza Wedding Dress

The style of this elegant solid ruffle bow A-line strapless back lace-up court train organza Cheap Wedding Dresses will be the best choice for a traditional and classical wedding. With the fashionable design, this A-line wedding dress can make you a beautiful and elegant bride. The fine material and the exquisite workmanship guaranteed the quality of this elegant solid ruffle bow A-line strapless back lace-up court train organza wedding dress.
Material: Organza
Embellishment: Ruffle & Bow
Neckline: Strapless
Sleeve: Sleeveless
Back: Zipper
Dress Length: Floor
Train: Court
Silhouette: A-Line
Season: All Four Seasons

http://www.mltailor.com/blog/?p=96492

follows the same general trajectory as the high fashion ideal

Utilizing historical data from 1789 to 1936 on six
persistent dimensions of women's evening dress, a mathematical
model derived elsewhere (Lowe and Lowe 1982) was
tested against new data extending to 1980 to determine
its predictability. The fashion process in women's
dress appears to be predictable, but just barely.
Tue problem to be addressed in this paper is: how predictable
is fashion change? Tlie fashion process is
rather ubiquitous, influencing activities ranging from
medical practice and social theory to the purchasing of
a vast array of con.sumer products. The extent to which
fashion operates in any of t'lese realms is a matter of
degree, but one can argue that the fashion process
achieve.s its gre.atest dominance in the area of women's
dress. Nor is it a new phenomenon; as William
Shakespeare wrote, "Fashion wears out more clothes than
the mai."

Methodology and Data Base
Utilizing fashion publications, a year-to-year record
of dress exists, stretching hack to the French
Revolution. Data include metrical measurements of six
persistent dimensions of women's formal evening attire,
including skirt length and width, waist length and
width, and decolletage length and width. Data for the
period 1789 to 1936 were compiled by two anthropologies
ts, Alfred Kroeber and Jane Richardson (Richardson
and Kroeber 1940). Using the same method of selecting
fashion plates and obtaining measurements, we extended
the data base to 1980. A 5-year overlap of data from
1932 to 1936 passed statistical tests for comparability.
All six dress dimensions were converted to ratios of the
dimensions, divided by the total height of the figure to
provide comparability of data. The total height was
measured from the center of the mouth to the tip of the
toe bearing weight or to the center of the skirt if no
feet were visible, thus eliminating problems associated
with changing hair styles. Briefly stated, skirt length
was measured from the mouth to hem of the skirt at
center front; waist length from mouth to narrowest part
at waist along center front; decolletage length from
mouth to middle of neckline at cent'^r front. sheath bridal gown , Skirt
width was measured as the diameter of the skirt at the
hem; waist width as the width at the minimum area of
the waist; and decolletage width as the distance
between inside edges of the dress at the shoulder
line. A number of measurements were taken every year
for each dress dimension and means were computed.
Limita tions
This study focuses on women's formal evening dress,
presumably that area of women's dress where sytlistic
change plays its greatest role and continuity with the
past is strongest.
The data set consists of haute couture plates, not
actual consumer choices. The yearly means for each
dress dimen.sion are not measures of what the populatioi
,)t large was wearing but rather depict a kind of ide^il,
what the purveyors of high fashion thought women ought
to be wearing. Obviously the measures are related, but
the data examined here may best be thought of as an
underlying conceptual structure on which local and
idiosyncratic transformations are made according to
taste, and, as this structure alters, .so too do
individual .and local behavior. lhe few studies that
have been made, comparing the two (for instance Jack and
Schiffer 1948), indicate that Fashion change in New York
City, Muncie, Indiana, or Butte, Montana follows the
same general trajectory as the high fashion ideal,
though attenuated and perhaps Lagged in time.
The fashion process may be tliought of as consisting of
two components: (1) mechanisms which generate new
innovations . Japanese school uniforms . and select among them, and (2) a diffusion
process governing the spread of new forms. Each has
its ragjlarities, at least of a statistical nature.
Tn this country, for example, southern California is a
recurrent spawning ground for fashions in popular
culture. In this paper, however, we will concentrate on
regularities in the first component, the generation of
new conceptual patterns from old ones.

For more information about fashion dress, visit our site cheap plus size party dresses .

Best Back: Anne Hathaway

Anne Hathaway in Prada

Jason Merritt/Getty Images

While I thought the front of Anne Hathaway’s dress was distracting (she needed something underneath) the back of her blush Prada silk gown was incredible: it had crisscrossing straps and a sash. She accented the back with a glamorous backwards necklace.

Today’s dress: 2013 upper class fashion evening gowns for mother of the bride

This is a very romantic party dresses for women. The ingenious combination of two fabric and colors makes the dress colorful yet not gaudy. The design of evening gowns for mother of the bride focuses on details. Coverd lace flower clearly manifest maturity, grace and dignity.  Perfect clipping naturally highlights intellectual aesthetic feeling and graceful curve of this evening gowns for mother of the bride. Quality depends on details. You are worth it!

Silhouette:Sheath
Neckline:Strapless
Fabric:Chiffon
Hemline/Train:Floor length
Back Details Zipper
Type Elegant , Unique
Waist Empire

http://www.mltailor.com/blog/?p=96289

the clothes In the Auction houses,to allow time to stop

for most of the items in Kerry Taylor Auctions, in addition to the absolute value of the collection, has practical use. Besides museum well-dressed level of 18th century, more of the items is concentrated in the early 20th century advanced customization and early garment major designer brands. In addition, antique level of Hermes bags, Chanel jewelry also.

Only broad mentioned some s may not be enough proof to Kerry Taylor’s charm. Celebrity might be able to better interpretation of Kerry Taylor Auctions of authority. Since its inception the auction house, had been with the world famous style ICONS have close cooperation, such as modelling has been challenge limit socialite Daphne Guinness, or former supermodel Jerry Hall and Marie Helvin. Even is the goddess of Audrey Hepburn (Audrey Hepburn) through a series of clothing, are scattered by Kerry Taylor Auctions to different dress to collectors in the hands of all over the world. And princess Diana’s engagement to prince Charles in 1981 on the first public appearance after wearing the skirt is made of the highest price since the auction house, at one hundred and ninety-two thousand pounds. Auction of shoes worn by princess Diana’s wedding.

shoes worn by princess Diana’s wedding

On December 4, 2009, the clothes worn by Audrey Hepburn

Socialite Daphne Guinness and one of her collection series, one of these come from Antony Price’s evening dress

a part of a set of kimono

Behind the ornate kimono , there was a story

The story of the kimono. In the ’60 s, when Japanese girl fell in love with a British soldiers, agrees to marry from the man, and after the soldiers returned home, family-unfriendly against their own alone set foot on a ship to Britain, but after the ship docked, British soldiers gone nowhere to be seen. The poor girl had to carry a dowry to the captain, to get a ticket back to Japan. Finally this set with resentment and frustration of kimono is accepted with classmates.

Dragon pattern embroidered blouse of china.

For more information about fashion dress, visit our site First Communion gowns .

http://www.mltailor.com/blog/?p=96331

Fashion is gentility running away from vulgarity and afraid of being overtaken

the facts. If he can jump this
hurdle, he is over the hurdle of inferiority complex
in his business. Since this point is such a
vital one, let me break it down into its four
essential components.
(]) There are psychological and biological
drives involved in fashion, and these drives remain
pretty constant. Hence, what is wanted
is constant: glamor and a sense of belonging or
security; the desire to keep up with the Joneses,
on the one hand, and the attempt to become
Mrs. Jones on the other.
(a) General fashions change slowly. For instance,
emancipation of women had to be reflected
in women's clothes, but that was a long,
historical process. Suburban and casual living
has increased the importance of sportswear, but
that too did not happen overnight. The increasing
number of working women has
brought about many new fashions, including
the basic dress that can change its look at
7:00 p.m. by the addition of an accessory, but
this has not been a quick development either.
The fact is that general fashions change slowly.
The specific causes of a general fashion change
are not necessarily of concern to the fashion
merchant. For example, there is an Oriental
influence taking place in women's apparel.
The fashion merchant will know this ��? he cannot
escape it �� but he does not need to know
how it came about. If he is curious, he can call
up some fashion expert, who may tell him that
it is the result of pressure by Mongolian idiots
or of the decision of women in Bali sheath bridal gown finally to
dress themselves. He would find this very fascinating
and proceed about his business, reassured
that the development was going to stay
on for a while.
(3) Fashion no longer refers to price. Stu-
- Associated Merchandising Corporation Conimittee Report
on "The Significance of Fashion Leadership to Our
Stores."
dents of marketing used to talk about the
fashion cycle as having three phases �� a conveniently
divided Tinkers-to-Evers-to-Chance
sort of afliair �� with different price characteristics
for each phasfe. By contrast, the fact today
is that the fashion cycle moves so quickly
that it is a blur. Almost everyone instantaneously
wants the same thing. The differential
price characteristic has virtually disappeared.
Radio, TV, the theater, and the press can be
thanked for this.
(4) If fashion in the broad sense changes
slowly, specific manifestations of fashion can
and do change quickly �� very quickly. This
point is a crucial one. To make the distinction,
some people have called general fashion merely
"fashion," and specific fashion' "style," or vice
versa.
Let me illustrate the distinction by an example
previously referred to: the growing importance
of sportswear. This is a general fashion
trend, and its course will not be altered except
in the space of a long period. At the moment,
however, within sportswear there can be a demand
for white sweaters. Tomorrow this demand
may change to purple skirts; the next
day, to something else. These are the changes
involved in Professor Melvin T. Copeland's
fashion cycle theory, where emulation becomes
the pivotal drive.^ The nub of the whole thing
is right here. William Hazlett's definition,
"Fashion is gentility running away from vulgarity
and afraid of being overtaken," is just
another way of stating Copeland's thesis that
there are "distinctive," "emulation," and "mass
emulation" stages (however momentary) of
every specific fashion.
Going back to our illustration, certain social
leaders, a distinguished campus, or the "international
set" will decide to wear white sweaters.
Why is unimportant. Then other persons in
the next social stratum down Japanese school uniforms begin to emulate
�� and there we go. It should be clear, though,
that the distinguished group, no matter how
distinguished, cannot bring about a fundamental
change in fashion. The roots have to be
deeper than that. Given a general fashion
trend, what the distinguished group does is to
try to be different within it. That is all. As
has been indicated.
http://fashionandbeauty412.blogspot.com/2013/03/fashion-is-not-necessarily-high-fashion.html

Fashion is not necessarily high fashion

FASHION merchandising has been called
"a riddle, wrapped in mystery, inside an
enigma." To the extent that this is so, I
suspect that we fashion merchants ^ are partly
responsible. Guild secrets help to keep us in
tight supply �� and to obtain the proper deference!
At some risk, therefore, I am going to
make it my objective in the following pages
to take away a little of the mystery. If I stand
to be professionally ostracized for "talking," let
me plead justification: Fashion is important to
a lot of people simply because it is in almost
everything.
Businessmen in the department store field
particularly do not need to be told this. Not
only is a substantial percentage of their business
in the soft, or. fashion, lines; but all their
departments have fashion merchandise in the
large sense of the phrase. It follows that most
top merchandise jobs require fashion "feeling"
and understanding, and it should not be surprising
that the demand for men qualified for
such jobs is much greater than the supply. Indeed,
perhaps the most difficult job to fill in
department stores these days is the ready-towear
merchandise job, which is typically one of
the lo or 13 top-paying jobs in the store and
an excellent springboard to higher positions.
Businessmen outside the department store
field are concerned with the subject, too. Fashion
is a factor in almost every field �� witness,
for example, the changing tastes for different
kinds of books, entertainment, baseball commissioners,
and ways to make a really good
martini. For the purpose of this article, however,
I will confine myself to women's clothes.
It should be clear that the principles are equally
applicable to other commodities.
^ Mr. Daniels is Vice President in Charge ot Merchandising
at Abraham & Straus, New York. �� The Editors.
After a brief analysis of the essential nature
of fashion, the following topics will be discussed:
(1) the mechanics of fashion merchandising,
(2) the arts of fashion merchandising,
and (3) the feeling for fashion merchandising.
.
Nature of Fashion
This is a sheath bridal gown field where tbe only good place to
begin is witb a definition of the subject. Much
of the mystery of fashion merchandising is
simply a matter of not knowing wbat fashion is.
Tbere are a host of definitions, many by
erudite men and women. For instance, Ambrose
Bierce bas said that "fashion is a despot
whom the wise ridicule �� and obey." And according
to Thoreau, "Every generation laughs
at the old fashions but follows religiously the
new." In Oscar Wilde's opinion, "Fashion is a
form of ugliness so intolerable that we have to
alter it every six months." Shakespeare philosophized
that "the fashion wears out more apparel
than tbe man."
In each of these observations �� and Japanese school uniforms there are
countless others equally appropriate �� there is
something germane. But the definition which
best seems to sum up the essential characteristics
of fashion is a much more mundane one:
"Fashion is a conception of what is currently
appropriate." The report from which this
quotation is taken goes on to say:
Fashion influences human activities and shapes
the forms of our possessions. It affects the things
we do, the things we say, the things we wear, and
the things we use. Times and conditions largely
affect fashion and may be looked upon as a subtle
reflection of our composite feelings and reactions
to life at any given period. Fashion is not necessarily
high fashion, the latter being the expression
of a limited number of people with aboveHarvard
Business Review
nonnal means or taste to enjoy it. Mass fashions
are the most widely accepted versions of high
fashion trends .^
Definition. Our definition of fashion as a
conception of "what is currently appropriate"
means, in simpler language, a conception of
what the customier wants. This idea will be
popping up again and again in the subsequent
discussion. 

http://afrachin.livejournal.com/12393.html

Indian woman Fashion，amorous feelings of gypsy

Aastha Bahl released her new series of apparel products in Indian fashion week autumn/winter, the design style is integration of the gypsy nomadic ethnic cultures. Nifty and bold colors and vivid details not only shining your eyes at the moment, but also add a new feeling to this season’s new dress.

Aastha Bahl adopted modern tailoring, traditional gypsy color and fabrics like cotton, silk, brocade and corduroy, so the fusion of clothing is attractive.

Aastha Bahl graduated from the institute of international fashion, new Delhi, this time will be her fifth released quarterly new clothes on fashion week.

2004 Aastha Bahl was created her own clothing brand name Aastha Bahl.

Brand: Aastha Bahl

Designer: Aastha Bahl

http://www.mltailor.com/blog/?p=96085